{"id":127,"date":"2017-03-14T21:09:32","date_gmt":"2017-03-14T20:09:32","guid":{"rendered":"http:\/\/onclin.uwid.nl\/?page_id=127"},"modified":"2025-12-14T14:51:39","modified_gmt":"2025-12-14T13:51:39","slug":"biografie","status":"publish","type":"page","link":"https:\/\/koronclin.com\/fy\/biografie\/","title":{"rendered":"Biografy"},"content":{"rendered":"

Kor Onclin (1918-2003) \u2018In libben fol kleur.\u2019<\/em><\/span><\/h1>\n

\"\"Kor\u00a0Onclin, berne yn Ljouwert, groeit op yn in frijsinnich en artistyk fermidden. Al op de legere skoalle komt syn talint foar tekenjen en muzyk nei foaren. Hy folget lessen oan de foarrinner fan de Vredeman de Vries Academie yn Ljouwert en komt fia syn heit yn kontakt mei keunstners, sa as Gerrit Benner. Ein tritiger jierren eksposearret er foar it earst by keunsthannel De Boer yn Ljouwert.<\/p>\n

\n
Nei de oarloch giet Onclin troch mei skilderjen, mar troch de oarlochs\u00fbnderfiningen en syn grutte belutsenens by de minske rjochtet er him beropsmjittich op in oar m\u00ead.<\/div>\n
Syn bertest\u00ead en de provinsje Frysl\u00e2n spilen yn de earste tritich jier fan syn libben in belangrike rol. Hy groeide op yn it Ljouwert fan de tweintiger jierren, syn heit hie in wenningynrjochtingssaak oan de Foarstreek en as bern wiene de omkriten fan de Grutte of Jakobiner Tsjerke him tige fertroud, krekt lykas de sfear, de libbenens en de muzyk fan de foaroarlochske Joadske mienskip yn de Fryske haadst\u00ead. Begjin fjirtiger jierren wurke Kor Onclin by it Rijkskolenbureau en hy wie yn de oarlochsjierren aktyf yn it Ferset. Fuort nei de befrijing spile hy in moai skoft yn in semy-profesjonele jazzband yn seal Schaaf (slachwurk en sang). Oan ‘e ein fan syn libben komt Kor Onclin wer werom nei syn bertegr\u00fbn. Begjin jierren ’90 binne der tentoanstellings yn Elslo; yn 1999 by Galerie Romein en yn 2000 by de Fryske Akademy ta gelegenheid fan ‘Simmer 2000’ en op \u00fatnoeging fan it stedsbestjoer.<\/div>\n
\"\"
\nYn ‘t earstoan begjint Kor Onclin him in namme te meitsjen mei figurative swart-wyt portretten en l\u00e2nskippen, mar al gau \u00fbntwikkelet hy in eigen styl, d\u00ear’t kleurgebr\u00fbk en tekstuer karakteristike eleminten yn binne. De tematyk yn syn wurk \u00fbntlient er oan wat der op in dei op syn wei komt, en dat yn de meast brede sin. D\u00earby binne de ‘primitive’ Afrikaanske keunst en de \u00fbnbefongen ferw\u00fbndering fan it bern wichtige ynspiraasjeboarnen foar him. Wat dat oanbelanget is yn syn wurk in beskate affiniteit sichtber mei de COBRA-beweging.<\/div>\n
\n\n\n\n\n\n\n\n\n
1948<\/td>\nOfreis \u00fat Ljouwert.<\/td>\n<\/tr>\n
1948 – 1960<\/td>\nSt\u00fadzje ortopedagogy en dielst\u00fadzjes psychology, wiisbegearte en medisinen.<\/td>\n<\/tr>\n
1950 – 1978<\/td>\nWurket yn bernebeskerming, reklassearring en ferskate G.G.Z.-ynstellings.
\nNeist dosintskip oan \u00fb.o. Sosjale Akademy f\u00eastiget er him as selsstannich psychoterapeut en is ien fan de earsten yn Nederl\u00e2n dy’t him rjochtet op gesinsterapy.<\/td>\n<\/tr>\n
JFyftiger jierren<\/td>\nGeregeld ferbliuw yn Parys; kontakten mei oare keunstners; skilders, musisy en skriuwers, benammen \u00fat de eksistinsjalistyske beweging.<\/p>\n

Parallel oan dy beropsaktiviteiten lit him ek \u00fat en troch de skilder Onclin sjen. Der binne inkelde perioaden dat hy faker eksposearret, lykas ein sechstiger – begjin santiger jierren.<\/td>\n<\/tr>\n

1977<\/td>\nBesl\u00fat om him folslein oan it skilderjen te wijen.<\/td>\n<\/tr>\n
<\/th>\nDe Ard\u00e8che-jaren (1978 – 2002)<\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n
\n\n\n\n\n\n\n\n
1978<\/td>\nOpholden mei psychoterapeutyske praktyk, fuortgien \u00fat Nederl\u00e2n en bliuwend f\u00eastige yn S\u00fadeast-Frankryk, omkriten Privas\/Ard\u00e8che.<\/td>\n<\/tr>\n
1981<\/td>\nEarste Fr\u00e2nske eksposysje.<\/td>\n<\/tr>\n
1986<\/td>\nFernijd kontakt mei de keunstwr\u00e2ld yn Nederl\u00e2n; eksposysje by Galerie Vlasblom, Arnhem.<\/td>\n<\/tr>\n
1986<\/td>\nAtelier Rue Bir Hakeim yn Privas.<\/td>\n<\/tr>\n
1986 – 2001<\/td>\nAlle jierren ien of mear eksposysjes yn Nederl\u00e2n, d\u00ear’t ferskate galeryen yntusken permanint wurk yn foarrie hawwe.<\/p>\n

D\u00earneist eksposearret Kor Onclin faak yn Frankryk; benammen yn it s\u00fadlike diel: Aix-en-Provence, Cannes, Arles, Marseille, Avignon, Privas. In soad kearen waarden prizen en underskiedingen takend oan syn wurk
\n– Arles 1983, Grand Prix International
\n– Aix-en-Provence 1983, 1er Prix Fantastique
\n– Avignons 1984, Prix Visages du XXi\u00e8me Si\u00e8cle (keunsttiidskrift)
\n– Barcelona (Spanje) 1984, 1er Prix Abstrait
\n– Aix-en-Provence 1984, Prix La C\u00f4te des Arts (keunsttiidskrift)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\"\"<\/p>\n

De festiging yn Frankryk (Rochessauve\/Privas) en de jierren yn de Ard\u00e8che binne sawol foar de keunstner as foar de minsk Kor Onclin, sear wichtich west. Troch de ynfloed fan dit nije libben krije de kleuren fan syn palet noch mear helderens en djipte, en wurdt syn skilderkeunstige taal noch yntinser dan dat it al wie. Yn dit nije l\u00e2n fint er de kwaliteit fan libben der’t er altyd nei lange hat. De festiging, yn 1986, fan syn Atelier yn in sintrum fan Privas, rue Bir Hakeim, bestjut oerd\u00fadlik in nij elan en in belangryk ympuls foar syn skilderkeunst.<\/p>\n

Yn it kulturele libben yn de Ard\u00e8che spilet Kor Onclin in belangrike rol; as keunstskilder sawol as mins is hy tige wurdearre en popul\u00ear. D\u00earby is hy foar in soad kollega-keunstners in grut ynspirator.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1997<\/td>\nAtelier Rue des Poireaux, Privas.<\/td>\n<\/tr>\n
1998<\/td>\nMonografy ‘Kleuren van Verwondering’, ta gelegenheid fan syn tachtichste jierdei.<\/td>\n<\/tr>\n
1999 – 2001<\/td>\nDe al fameuze ‘l’Art dans les Classes’; Kor Onclins skilderprojekten op skoallen yn de Fr\u00e2nske Ard\u00e8che.<\/td>\n<\/tr>\n
juny 2002<\/td>\nYn ferb\u00e2n mei sykte opheffing atelier Rue des Poireaux.<\/td>\n<\/tr>\n
hierst 2002<\/td>\nFanwege s\u00fbnenssituaasje definityf weromkommen nei Nederl\u00e2n.<\/td>\n<\/tr>\n
maart 2003<\/td>\nFerstjerren Kor Onclin.<\/td>\n<\/tr>\n
novimber 2003<\/td>\nHommaazje-tentoanstelling Galerie Espace Envol – Privas\/Ard\u00e8che.<\/td>\n<\/tr>\n
desimber 2003<\/td>\nHommaazje-tentoanstelling Galerie Vlasblom – Arnhem.<\/td>\n<\/tr>\n
septimber 2004<\/td>\nPlace Kor Onclin<\/strong>; offisjele iepening fan it nei Kor Onclin neamde plein yn de haadst\u00ead fan de Ard\u00e8che: Privas.<\/td>\n<\/tr>\n
desimber 2005<\/td>\nHommaazje-tentoanstelling, Ljouwert.<\/td>\n<\/tr>\n
Exposities geschiedenis<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n

 <\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Kor Onclin (1918-2003) \u2018In libben fol kleur.\u2019 Kor\u00a0Onclin, berne yn Ljouwert, groeit op yn in frijsinnich en artistyk fermidden. Al…<\/p>\n","protected":false},"author":2,"featured_media":141,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-127","page","type-page","status-publish","has-post-thumbnail","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"fy","enabled_languages":["nl","gb","fr","fy"],"languages":{"nl":{"title":true,"content":true,"excerpt":false},"gb":{"title":true,"content":true,"excerpt":false},"fr":{"title":true,"content":true,"excerpt":false},"fy":{"title":true,"content":true,"excerpt":false}}},"yoast_head":"\nBiografy - Kor Onclin<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/koronclin.com\/biografie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Biografy - Kor Onclin\" \/>\n<meta property=\"og:url\" content=\"https:\/\/koronclin.com\/biografie\/\" \/>\n<meta property=\"og:site_name\" content=\"Kor Onclin\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook\/koronclin\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-14T13:51:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/koronclin.com\/wp-content\/uploads\/2017\/03\/featured-biografie.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"742\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@koronclin\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/koronclin.com\/biografie\/\",\"url\":\"https:\/\/koronclin.com\/biografie\/\",\"name\":\"Biografy - 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